Where the film business is going

This article in the autonomous architecture series focus on the answer to the why question.

To select the best scenario for a future IT-landscape, we need to have a probable idea of where the industry is heading, not where it has been.

High-level trends in film business

When asking Copilot about the future of the film business, this is the answer I got today. Take it with a pinch of salt, but probably not so far off.

Hollywood is pivoting toward globalized storytelling and tech-driven workflows but faces structural decline in mid-tier productions.

Independent producers in both regions must embrace innovation—AI, blockchain, immersive formats—while navigating funding volatility and distribution fragmentation.

Europe emphasizes cultural sovereignty and sustainability, while the U.S. indie sector leans into decentralized financing and niche streaming strategies.

Next question is about the future for independent film makers.

Independent filmmakers face a rapidly evolving industry shaped by streaming dominance, tech disruption, and fragmented financing models. Based on the latest insights and internal resources, here are strategies to adapt and thrive:

1. Embrace digital distribution & streaming.

2. Leverage technology (AI and blockchain).

3. Innovative financing models.

4. Strengthen marketing & audience engagement.

5. Optimize production costs.

6. Build strategic networks.

The key takeaway is "Adaptability is non-negotiable. Independent filmmakers who combine creative integrity with business acumen and tech fluency will lead the next wave of cinema."

A documentary filmmakers viewpoint

Luc Forsyth who is a documentary cinematographer and YouTuber predicts the future filmbusiness (Q4 2025).

1. Money is looming away from broadcast.

2. Traditional filmjobb will be harder to get.

3. Gear will get meaningless.

4. AI will automate entry film jobs.

5. The indie film industry.

To survive, you need to change, unless you already have a very high profile in the business.

Conclusions for our business model

Film production will be a key component also in the future. Storytelling with an European perspective will be a value proposition even in the future.

Provide crew and equipment will be more difficult and have less margin in the future, but it's still close to film production. Self-service and automation with AI is key, together with strategic networks.

Film distribution will be more important in the future and we need to rely more on different platforms for content publishing. Marketing is the key area. Revenue streams will be both from ads on social media, pay per view on platforms as well as selling rights.

Impact on IT-landscape

We foresee an impact on IT, based on the adjustments of our current business model.

We use Yamdu for planning film productions today, and the assumption is that it will evolve to support AI features in a very near future. (Beta testing is ongoing).

We have Spiris for finance & accounting, and it's good enough for the purpose, so no need for changes.

Severa is our current CRM and project planning tool, with integration to Spiris. Good features for allocation of resources to projects, but lacking markering and not so much customization available.

We have the ability to publish film and get revenue from pay-per view on Vimeo. They provide the platform and have customer interaction. We get statistics and monthly payments. For cinemas in Sweden, we have the same approach.

Yamdu is adding more and more functionality for project planning, and as Severa doesn't prioritize film business, or marketing, this CRM is not a long term solution.

Autonomous architecture approach

“Adaptability is non-negotiable” is a key message for independent film makers, and it suits the autonomous architecture like a hand in a leather glove.

If we design our IT-landscape to be more autonomous based on the differences in the business model, it will be easier to change. I.e. autonomy between the core cababilites, but use shared systems for supporting capabilities.

Film production is alredy autonomous, and well supported by Yamdu. The challenge is integration with supply chain, HR and Finance.

Film distribution need to be focused on distributing own content and content from close collaborators, to national and international festivals, cinemas in the Nordics, broadcasting in Europe and different global streaming platforms. We will not build our own platforms for distribution of content. For this, we need to be very flexible and adapt.

Marketing and selling for film distribution need to be separated from provide crew and equipment and film production as customer segments, channels and value propositions differ to much.

We need self service to provide crew and equipment and film distribution, but the platforms, Vimeo and others provide self service for the film viewers. Self service to film productions are not needed, but we should have much more support for AI to support sales processes.

Supply chain and inventory for all types of products as actives, crew, equipment, costumes, set design and props for film production and provide equipment should be autonomous. This capability differs from supply chain for film distribution, e.g. two autonomous systems.

Finally we need a case management system for all businesses units and internal purposes.

Answer to the question

The question was what we should do?

• Keep existing systems and modify if possible

• Get a new standard system that can be customized

• Build a new system from scratch

Based on the business model and information architecture, it’s very clear that we need to do all three scenarios.

The prioritizing order for what to is:

1. Keep Spiris, Yamdu and Vimeo as main systems as they are focused on specific capabilities.

2. Add YouTube and other platforms.

3. New standard system for CRM for film distribution

4. Investigate in a case management system that supports all customers, and internal users.

5. Investigate self service options for provide crew and equipment and supply-chain and inventory.

6. Decommission Severa and find a new solution for film distribution and provide crew and equipment. Time reporting is a key functionality.

7. Build master data platform for physical and non-physical products, cast and crew that integrates with Yamdu, Spiris and self-service portal.

Next step, update the documentation and start a few new internal projects as soon as possible before end of year.

The forgotten why question

Why do I need to change?

The situation

With film production and provide crew & equipment, the processes and tools are much better than for film distribution. Today, the time to create a new lead for a new customer is less than 30 min. For providing crew & equipment, this is acceptable. Order to cash is only a few minutes effort as well.

In my film production example, idea to market, market to lead, lead to order and order to cash for film distribution takes to much effort and to much calendrar time compared to the value of each order.

From a business perspective, a new solution must be faster and more efficient, but also cover the investment for the new solution.

The complication

The information architecture work I recently done, clearly shows that our existing platforms doesn't support film distribution, and neither does standard CRM systems as SalesForce. At least not out of the box. If we add one more system, we need to have more integration, and integrations are always costly.

If we change existing order- and CRM systems, we still need to make modifications to standard systems.

The question

Should we either

• Keep existing systems and modify if possible

• Get a new standard system that can be customized

• Build a new system from scratch

I will answer the question in a later article and explain there reasoning behind as part of autonomous architecture.

Autonomous architecture - information architecture

I have done a first version of the information architecture with business terms and an information model based on TM Forum.

The business terms are groped into main capabilities, and information objects related tov the terms are identified.

I’ve used Copilot to describe similarities and differences between the BU’s based on the information architecture.

Conclusion from AI:

Film production is about managing creative processes and resources.

Film distribution is about managing rights, platforms, and audiences.

Crew & equipment provision is about managing operational assets and services.

Each domain has distinct information objects, processes, and integration needs, but all must work together for a successful film business.

Next step is to dive into the details and verify.

Autonomous architecture - solution approach

I’m designing an enterprise architecture for a film production company with three business models, with the aim to have each unit autonomous, still leveraging the same underlying structure and platforms.

If you are an independent film producer today, you need to manage distribution. You also need to work for others. Thus three business models for my company.

Initial phase

When we have different lines of business, I always start with a holistic view. The whole organization, Enterprise wide. I also look at all aspect areas, business, information, application and infrastructure. But this is not enough, as more things are importance.

In this example I'm adding governance, security and sustainability as mentioned in IAF. Why sustainability you may ask? You need to manage sustainability to have grants for film production in the future.

What I do is then to use parts of IAF to define the needed architecture views.

Architecture views

The business model canvas for each of the business units is the obvious starting point, and I begin to identify what differs.

Next step are the main capabilities or processes (L1) for the organization. I have defined sixteen capabilities so far and have a mix processes from APQC, TM Forum and bespoke process for film production.

In addition to capabilities and processes, I use TM Forum SID model as a base for the information architecture.

When we have this enterprise architecture on the highest level, we can focus on the actual business need. To be better at film distribution.

Business scope

The six capabilities I would focus on as they differ a lot are:

• Product management

• Platform management

• Supply chain

• Marketing

• Sales

• Customer support

We have two very different products. One is a produced film, to be distributed to an audience. The other type is crew and equipment for film productions.

Platforms, the tools for filmproduction, differs vastly from the distribution platforms, but they need to work seamlessly in real time when we are doing live productions.

Supply chain between film production and film distribution are also totally different. The output from the production is input in supply chain for distribution.

Marketing is often half of the cost for a film production, and targeting the audience. Marketing for film production and provide crew & equipment have a completely different strategy.

The way we sell productions and provide crew & equipment is streamlined today in our CRM-system and works well, but we don't have a described process for selling movies to B2B or B2C.

Today, we have functional mailboxes for handling customer support, but we need better processes and tools for this capability, thus in scope for.

How we work differs a lot between the BU, but another question is if the three BU’s use the same information.

Information architecture

Most of us (readers) work with IT, information technology, but the main focus is often on technology, not the information.

What I would focus on is business terminology, information models and data entities in the IT systems, and how they relates.

We leverage the information model from TM Forum, i.e. SID, as the organizations members work with telecom, media and entertainment.

If we look at the product model in SID, the model can manage films, crew, equipment as well as bundles. You can sell both digital and products, or offer subscriptions.

Customer model caters for both B2B and B2C customers, and is a subset of party that also manages suppliers, partners and other organizations that interact with us.

The question is then, how will the information model be used by the processes and implemented in IT.

Does existing systems support an improved distribution process, or do we need to do some changes? What should be could and should be shared between the different business units.

Next steps

To find out, I need to make an information model with business terms, information objects and data entities.

Previously, I've avoided this for my company as it takes too many weeks. Today, I can do this much faster with assistance of AI and it is much more feasible and this will be my next activity.

Next article will be about finding out the gaps between the business architecture and how the IT-system works to find out what's possible.

Stay tuned.

Autonomous architecture - problem description

Background

I’ve got three different lines of business; Film production, film distribution and and provide crew & equipment to others. They all end up in the same annual report today, but could belong to many different legal entities in the future.

Distribution business today relies on very manual routines, we need to do something to scale up this business unit. We can’t be profitable otherwise.

If we look at the business model canvas, some parts are overlapping and some parts are not.

Business and IT complexity

Film production and provide crew & equipment are more similar than film distribution. The first two are B2B only and distribution is both B2B and B2C.

With film production, we are responsible for the whole process or parts of the process. When we provide crew and equipment somebody else have that responsibility. In both cases, we need to keep track of resources and when they are booked or not.

With distribution, we sell digital availability of films to customers, direct or indirect, and we need to manage rights to different regions.

The core processes (partly APQC) mostly differs between the three business units, but supporting processes (APQC) are more common.

The business terms differs to a certain amount, but we could probably have the same information model for all three units, based on TM Forum SID-model.

We are using Visma for finance, CRM and high-level resource planning. Yamdu is used for pre-planning and production of films. Office 365 as document repositories and collaborations.

There are also lots of specialized tools for the whole film production process.

It is possible to use SalesForce as a standalone CRM for distribution business from a B2B perspective. The question is how to manage B2C sales of film and live events.

Question

The question is how this impacts the architecture, what constraints we have from our technical debt and how the organization is setup.

We basically have three options

• 100% separate systems between each business unit

• Common systems for all business units

• Some common systems and some separate

First one is simple. Second a vision, but seldom realistic, not even for a small organization. For the third option the big question is how to split and integrate.

The approach for this will presented in the second article.